Gearslutz.com - View Single Post - How do you prepare your mix for mastering?

thethrillfactor · 7th November 2002

I've mixed for the last few years to Masterlink at 24bit 88.2k/96k and to Ampex ATR 102 1/2" if its a major project(I give my clients the option). With the independent artist I am never sure where they will master, so its usually 24 bit 88.2k and 44.1k(once in a while its 48k if during the project they've gotten on my nerves).

I always compress and EQ my mixes!!!

I've heard enough projects come back butchered because the inexperienced mastering engineer(who probably had some wack ass speakers) thought it could be better if they did X(where they are trying to mix it in mastering).

I agree with Cannon above, a great relationship with certain mastering guys is crucial. I have a catalog of guys that I try to send my clients to, who understand what I am trying to do and will work with the mixes to take them to the next level. They are at different price ranges for clients who are independent or a major label release. I do tend to premaster sometimes if the client wants something to take back to their people and get them excited.

7th November 2002	#5
thethrillfactor Gear Guru Join Date: Jun 2002 Location: New York City Posts: 14,176	I've mixed for the last few years to Masterlink at 24bit 88.2k/96k and to Ampex ATR 102 1/2" if its a major project(I give my clients the option). With the independent artist I am never sure where they will master, so its usually 24 bit 88.2k and 44.1k(once in a while its 48k if during the project they've gotten on my nerves). I always compress and EQ my mixes!!! I've heard enough projects come back butchered because the inexperienced mastering engineer(who probably had some wack ass speakers) thought it could be better if they did X(where they are trying to mix it in mastering). I agree with Cannon above, a great relationship with certain mastering guys is crucial. I have a catalog of guys that I try to send my clients to, who understand what I am trying to do and will work with the mixes to take them to the next level. They are at different price ranges for clients who are independent or a major label release. I do tend to premaster sometimes if the client wants something to take back to their people and get them excited.