Quote:
Originally Posted by firby  Point the close mic to the center of the snare drum. Parallel compress a little, put some reverb on but not enough to really notice. A squashed room mic blended in underneath it helps a little too.
Thats how I do it. |
I think if you want alot of the sound of the top head that would be a thing to do. I could be wrong but I think that's what he's complaining that he's getting too much of