Quote:
Originally Posted by XLR2XLR  I have tried the T.bone RB500 on a 4 x 12 marshall with head
4 inches away from speaker and found it exhibit an extreme sub/LF
bloatyness which was a total pain in the botom to mix as such I ended
HPF it at 130Hz. I am no longer convinced I need such a mic appearing on my guitar
reocrdings at least.
Anyone else experienced this massive blown up bottom end? |
XLR
the huge bottom end lies in the nature of this mic.
What´s the problem engaging a HPF in the mix / during tracking which BTW you will need on most tracks except bass + kick drum if you´re doing pop/rock ?
