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The Mic pre was designed by a notable high end gear tech out of Nashville with the intent of it being able to capture as much dynamic range as possible and as clean and accurate as possible. After talking to many of the people who would be prospective users of the MR-1000, it seemed like most people had a favorite mic pre setup that they would use in combination with the MR. The consensus was to make the pre neutral & natural so that the engineer could color the track later if desired, but capture stuff with as much dynamic range & clarity as possible and keep the MR-1000 under 50lbs and battery operated if desired.
I've had excellent results with the internal mic pre's, and i've also used my ADL600 as the front end which was stunning. I've tried the Neve Portico series stuff and been very impressed, so i was thinking of getting a stereo Portico Pre which would keep the package down to about a minimum size, but maximum sound.
The real beauty of the 1bit format is that it captures everything with such detail and realism, just like the original source.
My description is: It's my dream, perfectly aligned Studer 1/2" machine with No Noise.
FYI - The line inputs do not color the sound at all, what you hear is what you get.
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