Quote:
Originally Posted by fenderbender.  The concept is that by having a digital brickwall limiter at the very end of a mastering chain, you can trim the overall level of the program while still maintaining a fixed output ceiling. The L2, TC and others all have fine adjustments to the tenth or hundredth of a dB. This is especially good if you have a lot of analog boxes with stepped level controls. If you look at the peak level of various tracks on a given CD you can see whether the mastering engineer changed track gain 'post-limiter' in order to better match levels. |
Now it's clear.
I'm agree that a digital brickwall limiter at the very end of a mastering chain is the best way for maintaining a fixed output ceiling.
Thanks for your feedbacks.
