| I think the snare could benefit from the old trick of sending the snare track out to a speaker sitting face down on a snare and micing the snare strainer at the bottom to get more buzz from the snare strainer resonating with each hit from the original track coming through the speaker (phew... long sentence). It sounds choked to me as it is, like that strainer-less timbale sound. It might give it more life. Another idea would be to mic a snare bottom, hit the snare to make a sample and then add that to each hit. If you had Drumagog, it would be very easy. |