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kevinc · 3rd March 2004

The second one is if there IS varying degrees of sonic quality in these cables shouldn`t we be able to test it at the studio without buying a new cable.

There should be a sonic difference between say a cord that came with an Alesis 3630 and the cord that came with my Vari Mu or MP2-NV if your theories are correct.

As far as the first question is concerned thanks for answering it and I hear you about the car thing but I just think if it were a matter of $50 - $100 extra the high end gear makers would add the price of the cord in.

That`s not a lot to add for units that I think are built to be top sounding pieces regardless of cost.

3rd March 2004	#301
kevinc Lives for gear Joined: Oct 2003 Location: Beantown Posts: 2,462	The second one is if there IS varying degrees of sonic quality in these cables shouldn`t we be able to test it at the studio without buying a new cable. There should be a sonic difference between say a cord that came with an Alesis 3630 and the cord that came with my Vari Mu or MP2-NV if your theories are correct. As far as the first question is concerned thanks for answering it and I hear you about the car thing but I just think if it were a matter of $50 - $100 extra the high end gear makers would add the price of the cord in. That`s not a lot to add for units that I think are built to be top sounding pieces regardless of cost. __________________ - Kev