Another, related, question just occured to me: now that we know where to place the mics, where do we aim them at?
Or maybe it's just time to get out those omnis...
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André
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"Recording exactly what a musician hears turns out to be a really big deal." Bob Olhsson
"Who cares about efficiency, when we're talking about music?" Rupert Neve
"it'll sound different through a microphone, anyway" Keith Carlock
"no room, no boom!" Michael Wagener
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