| Ok, I recorded the Logic metronome which is a very short click, then recorded it again and compared using sample delay. I inverted the phase and delayed the first recording by 137 samples, the tick sound was quietest at that position. So every overdub track has a sample delay, and when making an overdub of an overdub, every non-overdubbed track has to be delayed. It seems like it'd be vastly easier to negative-delay the overdubs rather than positive-delaying all the other tracks, it seems like there needs to be a function to push audio events backwards by a number of samples. Doesn't it inevitably get difficult to manage all those delays when doing a number of overdubs? could you please clarify that procedure ? thanks!!! |