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BrianK · 28th January 2007

I ran it through some tests at NAMM. Stunning sound, really. Somewhat feeling like the old Quantec Room Simulator, but 100x more detailed. While I did not get the impression that I was in "a real room" (same with Lexicon etc), the tone quality and richness were almost equal to a true chamber or plate.

You could easily listen to just the return (100% wet) and be satisfied with the sound - no grainy high end or wobbly bass. I took the sound from a large dark classical hall (mainly the demo I think they were showing) to a short, tight, fully bright drum room; the same algorythm and it totally satisfied. No glitchy tone or edginess.

I really hope to own one. It would not necessarily replace every other verb (depends more on future algorhythms), but sonically it equals anything I've heard.

28th January 2007	#68
BrianK Gear addict Joined: May 2003 Location: Hollywood Posts: 387	I ran it through some tests at NAMM. Stunning sound, really. Somewhat feeling like the old Quantec Room Simulator, but 100x more detailed. While I did not get the impression that I was in "a real room" (same with Lexicon etc), the tone quality and richness were almost equal to a true chamber or plate. You could easily listen to just the return (100% wet) and be satisfied with the sound - no grainy high end or wobbly bass. I took the sound from a large dark classical hall (mainly the demo I think they were showing) to a short, tight, fully bright drum room; the same algorythm and it totally satisfied. No glitchy tone or edginess. I really hope to own one. It would not necessarily replace every other verb (depends more on future algorhythms), but sonically it equals anything I've heard.