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tonerowlabs · 7th January 2007

anyone who tells you PT is better than Logic or DP for orchestral scoring is... okay, i'm new here, and i should probably focus on making friends first. But wow. I use all three regularly, and i continuallly find myself shaking my head in disgust with PT. Just absolutely horrible. Dragging a note on or off to frame - pretty basic stuff, and it was impossible in PT until 7.3, making it about 4-5 years behind DP or Logic. Some serious catching up to do.

Besides, it seems to me that there are fewer reasons to stick with one platform nowadays than before.

Setting aside the perennial DAW debate, I'd propose that you take the money you'd save by NOT going HD2, add a Weiss DS1 (SUPERB for digitally mastering orchestral music), and increase your marketing budget by $10,000 and call it a (good) day, IMHO.

7th January 2007	#13
tonerowlabs Gear nut Joined: Jan 2007	anyone who tells you PT is better than Logic or DP for orchestral scoring is... okay, i'm new here, and i should probably focus on making friends first. But wow. I use all three regularly, and i continuallly find myself shaking my head in disgust with PT. Just absolutely horrible. Dragging a note on or off to frame - pretty basic stuff, and it was impossible in PT until 7.3, making it about 4-5 years behind DP or Logic. Some serious catching up to do. Besides, it seems to me that there are fewer reasons to stick with one platform nowadays than before. Setting aside the perennial DAW debate, I'd propose that you take the money you'd save by NOT going HD2, add a Weiss DS1 (SUPERB for digitally mastering orchestral music), and increase your marketing budget by $10,000 and call it a (good) day, IMHO.