Gearslutz.com - View Single Post

joris de man · 1st October 2002

Thanks guys, for the reply's...

I know the DBX isn't exactly great, but hopefully when clocked to my Lucid it shouldn't be too bad.

I don't do much live recording; my work consists of writing music and designing soundfx for PS2 games, which is midi sequenced most of the time (with the occasional live performance) or live orchestra (which I have recorded by a professional).
My rig consists of a 4 farm PT setup clocked to a Lucid gen96/6, with the DBX going in digitally.
The reason for the mic is so that when we move in a few weeks time, we can build a small vocal booth in the new building and record voiceovers there instead of going into a studio.

I'll look into the other mics mentioned, although the T3 sounds very interesting

Cheers,

Joris

1st October 2002	#6
joris de man Lives for gear Join Date: Jun 2002 Location: Amsterdam - now Steyning, UK Posts: 566 Thread Starter	Thanks guys, for the reply's... I know the DBX isn't exactly great, but hopefully when clocked to my Lucid it shouldn't be too bad. I don't do much live recording; my work consists of writing music and designing soundfx for PS2 games, which is midi sequenced most of the time (with the occasional live performance) or live orchestra (which I have recorded by a professional). My rig consists of a 4 farm PT setup clocked to a Lucid gen96/6, with the DBX going in digitally. The reason for the mic is so that when we move in a few weeks time, we can build a small vocal booth in the new building and record voiceovers there instead of going into a studio. I'll look into the other mics mentioned, although the T3 sounds very interesting Cheers, Joris