Quote:
Originally Posted by klaukholm  Both film and video games are done in surround so I would swap the TC4000 for a system 6000.
I would also look into getting a quintet of M150's (or M50's) and a large selection of spotmics like TLM170, U87, Schoeps cmc54, DPA 4012/12.
Rosetta is not up to the job, go for AD16X.
Protools is standard for scoring sessions. I would look at getting atleast an HD2 system. |
In fairness, I think (looking at his gear list) he's talking about getting into the Writting/scoring side, for actual orchestral "film" sessions not only would he need a whole lot of microphones, but his whole equipment list would have to be of a different order.
In the uk (and we do a lot of the Hollywood film sessions here) there are only really 5 studio's/facilities that do major filmscore work on a regular basis.
Regards to all
Roland