Quote:
Originally Posted by PMoshay  Example:
1. You recorded your live concert mix at 5.6MHz/1bit
2. You want to keep your 1bit files for mastering/archival at 5.6MHz/1bit
3. Audiogate software will convert your files to a 16bit/44.1k PCM wave file so you can give the client and yourself a CD. This will leave the original 1bit files untouched. |
i understand this scenario, and i think it would be very similar if one came from analog tape.
what i don't know is if one had the same live concert mix, then wanted to master it, and then release it as a SACD and/or another format - what would be the procedure? does audiogate software provide a solution for the above example?
i for one have been wanting to do DSD for awhile now, so i'm just wondering what the scenario would be for someone who mixes to DSD and needs to master elsewhere after that. this is a sincere question sir, don't want to start any kind of 'which is the better format' ripples.
in other words, who works with DSD this way (more than one generation of DSD), is happy with the results, and how do they do it?