Quote:
Originally Posted by rob S  You mentioned the Pealman, that has been on my list for a while now. There has been allot of talk about them for a few months, going on a year or so. What do you dig about them? Is it just that they are "really nice," "good for the $" or is there something special they bring to the table that you don't find in anything else you own / use?
well, doug boehm and i compared it to our usual round if suspects.
and it held up very well.
in fact we picked it to do the last two vocal tracks on the record we are finishing up.
it was forward and in your face.
and not super bright and hypie.
it just seemed like a good mic.
not based on bang for the buck
based on performance. |
Thanks Rob, very cool....
So other questions if that is cool?
Are you using much in the way of 2 buss compression on your mixes before you send them off to mastering? If so, what are you using? How about parallel compression on drums or anything else, is that a standard mix set up for you or not?
Thanks.